JOOST SMIERS & MARIEKE VAN SCHIJNDEL. Imagining a world without copyright. Copyright once was a means to guarantee artists of a decent income. About Joost Smiers from the University of Chicago Press website. Bittere tranen, goede moed: er is meer aan de horizon dan Trump en dat is pas écht gevaarlijk. 11 May by Joost Smiers. Currently unavailable.
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Summary [ edit ] Description With Joost Smiers. And even more koost effect would be the restoration of our public domain of creativity and knowledge. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file.
See the license information for further details. Retrieved from ” https: This page was last edited on 1 Juneat If we recognize that copyright is unfeasible, and unjustifiable, what should our response be? This file is licensed under the Creative Commons Attribution 2.
This file has an extracted image: Thus, let us imagine what abolishing copyright would accomplish, while we do not hesitate cutting cultural conglomerates into many pieces. Marieke van Schijndel is joist cultural scientist and MBA graduate.
The timestamp is only as accurate as the clock in the camera, and it may be completely wrong. Description With Joost Smiers.
File:With Joost – Wikimedia Commons
Franco Iacomella Joost Smiers. The following page uses this file: Promoting Cultural Diversity in the Age of Globalization has been translated into ten languages.
His Arts Under Pressure. With Joost Smiers cropped. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it.
From the perspective of democracy and fair competition this type of market control is not to be tolerated. He lives in Amsterdam. Its license was verified as “cc-by From Wikimedia Commons, the free media repository.
This image was originally posted to Flickr. The result is a level playing field in which many, and many more smeirs can make a decent living.
Joost Smiers / European Culture Congress
It distorts cultural markets and pushes a wide variety of cultural expressions out of sight. At the same time, cultural conglomerates controlling copyright dominate cultural markets by owning the means of production, distribution, marketing and reception of cultural expressions. She works in the cultural field in the Netherlands. She lives in Utrecht. Immediately comes to mind that copyright provides an investment protection to blockbusters, best sellers and stars. Institute of Network Cultures, Amsterdam