JOAO FIADEIRO PDF

View Joao Fiadeiro’s profile on LinkedIn, the world’s largest professional community. Joao has 8 jobs listed on their profile. See the complete profile on LinkedIn. João Fiadeiro is a member of Vimeo, the home for high quality videos and the people who love them. JOÃO FIADEIRO belongs to the generation of choreographers that emerged towards the end of the s and, following the American post-modern movement.

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His research joai know-how, accumulated both as a dancer and as a choreographer — namely through composition and improvisation techniques — is taking him closer to the kind of research pursued within science specially some of the research carried out in cognitive and complex systems scienceas well as to the kind of work we can find in fields like economics or design.

Joao Fiadeiro — Oxford Internet Institute

Tues, Wed plus Tues His or her only ‘creative act’, in the frame of this method, is the mastery with which s he manages tension, the balance and potential of the material s he is working with, letting things happen by themselves, when they really have to. Days run from pm except where additional evening events: By engaging in an exploration of decision and moral judgment, through the work of Real Time Composition, you are trying to be fully human.

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It deactivates the capacity to read a new situation, becoming the main obstacle to implementing creativity as the operative system of our decisions. Instead of focusing on what we expect or wish to get, the RTC proposes that we focus on the removal ffiadeiro the ‘noise’ that prevents us from reading a fiadeirp as it presents itself, as well as on the reduction of the ‘friction’ inherent to communication processes, which creates resistances to the fluidity and the lucidity of reasoning.

Oxford Internet Institute

In the past years, he has been invited to give talks, master classes, and act as a coach in various institutions connected with those fields. When that ‘noise’ is excessive, it works as friction and makes us waste time.

Mon – Block 2 – ‘Anatomy of a Decision’: And the way we approach that training, that practice, is turning our focus away from the very decision, to direct it to the ‘noise’ settled in our bodies, namely under the form of ‘habits’, ‘convictions’, and ‘expectations’.

In he founded RE.

This strategy, counter-intuitive for it radically questions our habits and patterns of behaviour, enables the relevance and coherence of fiadeigo actions to get closer to those we find within emergent and self-organised biological or physical systems. His method, encompassed by the dense-light delicacy of simple things, does not deal with anything other than life; it is just a clarification of vital functioning, of the operative dynamics of human relations, of cohabitation.

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AL, a centre for research and artistic residencies, which not only constitutes the basis for the creation and diffusion of his work but also hosts transdisciplinary events and supports emergent artists by organizing laboratories and artistic residencies.

A large part of his formation was carried out between Lisbon, New York and Berlin, after which he joined the Dance Company of Lisbon and the Gulbenkian Ballet The training of this method consists in providing the practitioner with the tools for him or her to accept ‘giving up’ her condition of ‘creator’, assuming a position of ‘mediator’ and ‘facilitator’ of what happens.

And for that you have different norms to be follow: