CeReNeM Journal Issue 4: March Editor: Pedro Alvarez Journal of the Centre for Research in New Music, University of Huddersfield CeReNeM Journal, . Tel: Fax: e-mail: [email protected] internet: Brian Ferneyhough. Kurze Schatten II () . Brian FerneyhoughKurze Schatten II EP for Solo Guitar BRIAN FERNEYHOUGH KURZE SCHA1TEN II.

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The aim of this project is the seamless unification of learning and performance praxis, as well as of the understanding of compositional ideas, of their corporeal articulation, of their acoustical perception and of their meaning-producing qualities in the sense of music as cultural praxis.

Music and Musicians 20, pp. The first prerequisite of what I have named an understanding-technique-interpretation model is here almost algorithmically isolated from kuzre and sonic states.

Forum rules Topics archived from Public Space and its subforums after a long period of inactivity, or redundant for some other reason. Rather than having set a unifying theme, this issue was envisaged to reflect the multiplicity of concerns and perspectives found in authors whose research seems highly relevant in the frame of current contemporary music practice.

This process also attempts to replace the contingency of human preference with a material contingency, giving the player a reason for almost all of their actions by tying them to the instrumental response. Coalescing around compositional preoccupations with the body writ large as well as with schattfn phenomena in which instability and fragility inhere, these instantiations of intentional error-enabling ask how physical bodies i.

Detunings should always be as small as possible, almost imperceptible; however, the nature of the instrument means that some larger slips of tuning are inevitable. In my performance practice I take a different, inclusive view that is equally workable: The fabric of mind.

Does this threaten the Werktreu?

Classical Guitar

Although I was aware of the general spectro-morphologies that these shapes would produce when drawn on the surface of the instruments, the particular details of most of the shapes were drawn in a spontaneous fashion that aimed to emphasize curved lines, unity of shape, and connection with the electronic sounds.


There is an implicit necessity for balance between both the material as part of a particular sound-palette and the versatility of that material: These questions become structural in the light of the most radical developments in composition after Over the course of —13, Streich wrote a series of religiously inspired works: The mental processes are partly enactive, embedded, embodied, and extended what Rowlands refers to as 4E Cognition, after Shaun Gallagher7.

The fifth stave, Voice II, is located at the bottom of the system. Outlined 7 Hauck composed these letters in during her stay at the Heidelberg University Psychiatric Clinic, where she was being treated for schizophrenia. De-routing, or diverting from a path: In its prolonged striving for the unattainable, this sound lays bare the anatomy of this species of failure: Queerness is that thing that lets us feel that this world is not enough, that indeed something is missing.

I experimented with adding weights to the strings to alter the spectra, which was successful in harmonic terms3 by skewing the harmonic series into more interesting bell-like shapes. In other words, the real- time navigation along lines of continuity and discontinuity the aforementioned three dimensions of the score-space, next to the original gestural template. This structure guided the selection of texts for the piece.

This model is a strict application of two overlapping processes enacted within a nonlinear and indeterminate acoustic environment.

Interpreting Kurze Schatten II – Classical Guitar

Surprises me, touches me deeply, at a moment. In this paper I provide an introduction to the multifaceted background informing such a model of corporeal navigation, namely embodied and extended cognition. Physical Sciences and Engineeringpp. The global process is the continuous reiteration of the local process nested within a set of rules that periodically change the environment by both moving the local process to different strings, and by detuning the strings: Longitudinal shifts are often an issue in guitar performance as they tend to be points where physical tension increases, deserving a careful treatment in favour of continuity and accuracy.


Due to their density and brisk tempo, near-unison duo passages such as this are almost impossible to play as notated. Our website is made possible by displaying online advertisements to our visitors. Pronunciation should nevertheless be clear and distinct. In order to illustrate this, figures 4. I am concerned with the immediate poignancy of bodies that struggle and fail to perform feats of execution or cognition that are either common or readily perceptible, engaging physical and perceptual thresholds to queer the commonplace through the body.

Through the basic premise, that cognitive processes are considered as computational processes, CS refers to both biological and artificial systems” Strubes, cited in Natterer,pp. This section is read-only. Every communication fails to transmit thought from mind to mind unscathed.

Brian Ferneyhough – Kurze Schatten II

The two themes of corporeality and kutze merge into the suggested new model of interpretation: The word Babel itself becomes untranslatable as it can be taken both as a noun and as a proper name; this lack of clarity allows it to be both understood as, and signify, confusion. This is the paradisiacal state that knew only one language.

Text is always spoken with the PTT button pushed to transmit sound via radio; the flute is usually held at a distance from the mouth. According to his analysis “attenuation of the role of representations combined with augmentation of the role of action” Rowlands,p.

What I find interesting is that the scientific definition of noise makes the border between mental signal and noise clearly visible.

Cognition can be defined as navigation with real-time perception and action and as exploration of environmental affordances.