DIGITECH DSP 128 MANUAL PDF

Digitech DSP Pdf User Manuals. View online or download Digitech DSP Owner’s Manual. Digitech DSP Plus, Music Technology, May The manual claims the abbreviations are printed on the top of the unit – but they weren’t on the review. Digitech DSP Plus, Sound On Sound, Apr There’s no indication in the DSP Plus manual of just how the signal is routed from one effects section .

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Its predecessor, the DSP without the Plusis capable of producing three effects simultaneously. The modestly-named Ultimate Dap algorithm uses ten parameters to produce some extremely effective and impressive reverb effects. I tried this out with majual maximum values for both, and though it was quite hard to decide on a point where the reverb tail was actually quieter than the dp floor when it decays this slowly, there was undoubtedly around a minute and a half of beautifully decaying reverb.

Sound On Sound – Apr The Diffusion parameters control how dense the reverb is, and it is important to set correct values for diffusion to match the ‘size’ of reverb created. Providing manuals and documentation for 10 years! With four separate delay times to play with, some intriguing effects can be obtained. It seems that at each stage of the effects chain, where a level for any section is set, what is actually being specified is a mix balance between the signal at the input and output of that section: Digotech the multi-effects processor wars, Digitech’s DSP Plus distinguishes itself with comprehensive facilities and little sound colouration.

The operating procedures, however, were basically correct. FREE Manuals Warehouse is your source for copies of owners manuals, service manuals and other documentation on audio, music, stage and studio equipment like: You can dump the programs majual a MIDI storage device many sequencers can now handle this so if you create more than programs you can save them to make room for some more.

Now, I’m afraid, it’s down to you and yer ears. Further variation can be introduced by the delay section, which is placed in series after the reverb. Bearing in mind that the input sensitivity of the DSP Plus is switchable to cope with both line and instrument level signals, it seems that Digitech have very much kept the guitarist in mind when designing the DSP Plus.

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Digitech DSP Manuals

Two further algorithms place a two-band parametric EQ in line before a chorus or flange, and full mono delay up to 1. It really helps – thank you! I cranked this up to maximum all the time, and I imagine most other users will too, to give as much depth as possible to the sound. Further possibilities include producing a pseudo panning effect, or in these two algorithms, the flange or chorus effect is placed in line before the multi-tap delay, so that echoed flanged notes are heard rather than flanged echoes and there is a real difference.

If that was the greatest noise source in my setup, I’d be a very happy man. Nevertheless, the Digitech unit is still capable of producing all the important basic effects that people buy multieffects units for: Other articles featuring gear in this article: Independent initial delay times up to 1. It has three rotary dials on the front to set input and output levels and the mix between the dry signal and the processed signal.

As the programs aren’t named you’ll need to keep careful track of the numbers when organising the programs. You can send us a note about this article, or let us know of a problem – select the type from the menu above.

Any of the algorithm parameters can be assigned to MIDI continuous controllers. Other articles featuring gear in this article: I do, however, wish there had been a Store function and perhaps a Compare function, too to allow you to make an alteration to a program without committing it to memory.

Also featuring gear in this article. One aspect of these algorithms that is common to other MSEPs is that there is a trade-off between the number and complexity of effects used.

DIGITECH DSP-128 Owner’s Manual

The standards by which we judge the worth of new technology change at an alarming rate: It admits as much in the introduction and says that the DSP software was still being developed while the manual was being written.

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If it is set to a lower value than any of the three, the impression of a simple repeating pattern is replaced by a more complex start to the series of echoes. The LED display can be varied so that as you change parameters they scroll into the display area or pop into it.

Mnaual updated Plus version therefore has the improved features necessary to make it a contender again: Sound quality is excellent – although I’ve just suggested that this diigtech has been designed with the guitarist in mind, it’s definitely sigitech studio quality effects processor.

The best starting point for creating your own programs with this algorithm are the Normalised Reflectivity 0. You can’t save or load just one program, however, so if you wanted to combine programs from two separate banks you’ll have to note the values of the parameters of one set and enter them manually, but that shouldn’t take long.

Large room, Delay, Flange, Filter 3. The infinite repeat facility on the delay section can be initiated with a footswitch, or via MIDI as I’ll describe later.

Filter, Chorus, Multi-tap Delay 8. All programs contain factory presets which use the above algorithms. On the other hand, it sacrifices a little of the breadth of effects offered by other units: Parametric EQ, Chorus, Delay With all those abbreviations floating around it’s quite easy to alter a parameter and move on without intending to or perhaps I’m just clumsy.

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There’s no indication in the DSP Plus manual of just how the signal is routed from one effects section to another, but it sounds very much like EQ-Delay-Flange-Reverb to me. Also, the pages which should have contained details of the factory presets were totally blank so the uses to which some of the presets could be put were not always obvious. Tone them down a little for a honky tonk piano and use just a touch for a warm chorus or a subtle flange.

Reverse Reverb, Delay, Manula