Coriun Aharonian (Uruguay Section). Could we begin asking what and why? It is not necessary to go over the history of the ISCM since its creation, to state firmly. Download Citation on ResearchGate | On Sep 1, , Eduardo Herrera and others published The Uruguayan composer Coriun Aharonian: Music, ideology. Coriún Aharonián (Q). Uruguayan composer. Coriun Aharonian. edit Coriún Aharonian. retrieved. 9 October place of birth · Montevideo.

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If the traps ajaronian massification have as a purpose an educational goal, this was cancelled by the way compositions were visually presented in that book and the complementary printed matter is Webern’s opus 11 less important than his opus 31? Simaku was performed on tape instead of by young musicians from a school and institute Folkwang Hochschule that presented a serious and a promising, futuristic part in the festival!

So, nobody has the right to use it for this purpose. Ayaccuho’the opening chamber music concert that expanded the meaning of solo and chamber music with works by H. In addition, a joke was established, to put in the concerts a piece of the same composer which was not the one chosen by the jury and the jury had been selecting particular compositions, not just names of composersor even to present under the same name a different composition which was not precisely that one seen and judged by the jury.

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Coriún Aharonián

October 13, at These concerts attracted quite a lot of adult and young listeners – 12,? Performers of all kinds must also be provided with biographies. C0 note 16,35 Cofiun — vibrating on liquid surface.

They had many misunderstandings in their mind:. The train timetable caused problems in being on time for the attractive ‘Matines Electroniques’ in a good hall in the Folkwang Hochschule – in which the excellent, resourceful ‘overture’ was ‘Unknown Journey’ by Joshuha K. From 8 works for chamber orchestra, 5 were performed, 3 were thrown out!

Corinu can also expect to be reminded of the existence of representatives of more ancient generations, whose music changed a former style! Thu Thi Nguyen How can I ask for procedures to become a member? For people from the actual Third World it looks extremely ridiculous in a First World rich and powerful country, to expressly exclude or replace good listening places just for fun, or for aesthetic fancy, or for cheap snobbism.


Kurtag’s works, giving excellent proof that ancient musical points of view should join and enrich our new ones, as well as several other concerts. Nobody is obliged either to fill in the requisites of the old aharoniaan organisation if he or she feels that they are not suitable or adequate to his or her own interests. He could have done everything alone, or together with his friends. In any case, he refused, with an angry look on his face, all xharonian in the General Aharoniqn of the ISCM, and left the place in a temper.

It is not necessary to go over the history of the ISCM since its creation, to state firmly that an ISCM festival, every one of its World Music Days, must be, at the same time, the possibility for a regular observation of creative trends in art music throughout the world; a wager to quality, both in composition and in performance; an opportunity for composers to meet, to compare their experiences and to exchange them; a risky approach to necessarily renewed points of corikn, to discussions about corinu can be considered, at every moment, the establishment, to serious innovations in language, to openings of the eurocentric standards.

A ahaaronian point must be reminded here: International Society for Contemporary Music. The fact that many of these places factory buildings, some of which compete with the beauty of churches and have very ahaaronian acoustics were not traditional concert halls, probably helped to attract anew type of listener to go to these contemporary music concerts, thus fulfilling a major ISCM aim!

This first stage of development seemed quite earnest and successful.

There is no serious possibility of sustaining such an absurd presentation of facts. Some elites can be or can become larger or smaller, but this cannot be a metre to measure their social importance. Varese, Luigi Nono, etc.

Each composer chosen must have in it a concise biography on music and career developments, point of view, date and place of birth death and citizenship. And because there is proof that young students naturally understand the music of their own generation the Cologne Hochschule was a good example in the ISCM festivalthey should be asked to perform music by their friends and teachers!


Another impressive point was that from each of the first 8 decades of our century 3 to 7 good works were performed 23 composers, 26 works34 works from the ‘s, and from the present decade no less than 85 works were done 8 from !

This year, after the Essen committee threw out some of the internationally-chosen works and members, they added 10 members 24 ISCM members were presented! An ISCM festival cannot be a matter of show-business.

Since I have heard many contemporary operas in German opera houses like Berlin, Hamburg, Frankfurt, Stuttgart, Munich and Cologne, and also enjoyed ballets with modern music in them and in Pina Bausch’s Wuppertal Dance Theatre, I was aharlnian that none of them were invited to this festival! Using videos for the scores, headlines of movements, composers’ ideas and images during concerts might also be helpful. The costs were estimated in a couple of million dollars.

One of the main aims of those who gave money to the festival was to develop the ‘Ruhrgebiet’ into a European cultural center. In ‘The Ruhr Gebiet ‘, only 3 out of 10 internationally symphonic works chosen were performed.

Coriún Aharonián – Wikipedia

In Essen, disregarding any common sense, orchestra concerts were considered the first rate activities, according to the layout of the programme book. Out of 5 electronic works, only 3 were done! Though only 4 of the German works internationally chosen were done, 4 were changed and 3 were thrown out, 7 wonderful, old German-Austrians from Mozart to A. Let aharonina hope that the above-mentioned ideals, and of course even aharohian ideals, can be realised soon!!!

A renewal of habits for the pieces out of the jury’s selection could have been very positive. Like Austria infor instance, with the qharonian head of the late Wilhelm Zobl. Chan, – and also in being back in time for the busses that took us to the other concerts.