Name, Average duration. 1, For the left hand, 2, Legato, 3, Fifths to Thirds, 4, Ornaments, 5, Melody, Title: Corigliano ETUDE FANTASY (for piano), Author: ScoresOnDemand, Name: Corigliano ETUDE FANTASY (for piano), Length: 6 pages, Page: 1, Published. Documents Similar To Corigliano – Etude Fantasy. Sciarrino-Quaderno Di Strada (Baritone & Large Ens). Uploaded by. Roberto Nieva Velasco · Gulda – Aria.

Author: Tejind Sagore
Country: Denmark
Language: English (Spanish)
Genre: Personal Growth
Published (Last): 11 June 2014
Pages: 185
PDF File Size: 7.15 Mb
ePub File Size: 16.85 Mb
ISBN: 933-5-24133-543-4
Downloads: 93755
Price: Free* [*Free Regsitration Required]
Uploader: Kagagis

As a contrast, “Ornaments,” the next etude, brings back material from the first etude, cloaks it in trills, grace notes, tremolos, glissandos, and roulades, and eventually charges it into a demonic fanhasy, pausing only to restate the tone row with appropriate ornaments.

Seven Poems of Bob Dylan voice s and piano Tarantella from Symphony No.

Voyage for flute and piano It is this intelligent combination of elements, along with expert craftsmanship, that has become Corigliano’s trademark and have earned him an important place in contemporary American music. My Etude Fantasy is actually a set of five studies combined into the episodic form and character of a fantasy. I couldn’t see what made a second piano so important.

What Descriptive information to help identify this dissertation. And the piece would be deliberately constructed to make the players’ teachers of fanyasy to no help. Three Cabaret Songs voice s and piano. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Song to the Witch of the Cloisters.

Improvisation is sometimes useful to find starting material, or to advance a short distance, but since the act of notating is so cumbersome, it is really impossible to capture an improvisation of any length. Search Search Inside Search Related or search this site for other thesis or dissertations.


Digital Files image files available in multiple sizes 1 file. The first half of my Fantasia on an Ostinato develops the obsessive rhythm of the Beethoven and the simple harmonies implicit in the first half of his melody.

Etude Fantasy, for piano | Details | AllMusic

Basic information for referencing this web page. These repeated patterns comprise my only experiment in “minimalist” technique. Related Items Doctoral Recital: Three Irish Folksong Settings for voice and flute These controls are experimental and have not yet been optimized for user experience. Figaro was Supposed to Return the Necklace Seven Poems of Bob Dylan Corigliano, John, — Fantasia on an ostinato — piano.

The title of the next etude, “Fifths to Thirds,” refers to the intervallic contraction from a fifth, played with the thumb and little finger, to a third, played with the index and ring fingers.

Trills, grace notes, tremolos, glissandos, and roulades ornament the opening material Etude I and then develop the first four notes of coriglianno third etude into a frenetically charged scherzando where the four fingers of the left hand rantasy play a low cluster of notes like a distant drum as the thumb alternates with the right hand in rapid barbaric thrusts.

This dissertation is part of the collection entitled: Here the music quotes a chorale by Bach, symbolic of our stable and traditional harmony however, while both pianists are playing at last in the same key, they are still subtly out of rhythmic phase, as one player’s quarter note equals the other’s dotted eighth. Full quotations and fragments of the symphony are combined with newly-composed material influenced by Beethoven’s theme.

This etude reaches a climax in which both the row and the thematic germ are heard together, and ends as the right hand enters, high on the keyboard, playing a pianissimo, slow chromatic descent which introduces the next etude—a corigliaano in legato playing.


John Corigliano | Etude Fantasy (for piano) ()

Etude Fantasy for piano A Black November Turkey for chorus I was improvising to the picture, and later used the shape of the improvisation changing lots of notes to form the orchestral dance in the film. My Etude Fantasy is actually a set of five studies combined into the episodic form and character of a fantasy.

In those contexts, I liked the eerie, hallucinatory quality the mistuning evoked. Since I improvised freely, there was no steady beat for the mechanism to insert measures. College of Music Discipline: Relationship to this item: Christmas at the Cloisters.

In it, the player is required to isolate the melodic line, projecting it through the filigree which surrounds it; here the atmosphere is desolate and non-climactic, and the material is based entirely on the melodic implication of the left-hand etude, with slight references to the second legato etude.

The Red Violin music for the motion picture The first etude is for the left hand alone — a bold, often ferocious statement that introduces both an opening six-note row the first notes of fabtasy work and fantay melodic germ marked “icy” in the score that follows the initial outburst.

The Solo Piano Works of John Corigliano: Etude Fantasy (1976) and Fantasia on an Ostinato (1985)

Creation Date August The pianist’s job here is to isolate the melodic line from the filigree that surrounds it. Listen to a sound clip. Please enable JavaScript in your browser to use the site fully. Judith Sherman Engineering and editing assistant: Voyage for flute and harp Poem on His Birthday