Jacques Ibert – Composer – Concertino Da Camera for Alto Saxophone and Chamber Orchestra () – Music Sales Classical. Jacques Ibert. Concertino da camera, for alto saxophone & 11 instruments. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓.
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The accompanying ensemble consists of flute, oboe, clarinet, bassoon, horn, jacquew and small string orchestra.
Concertino da camera (Ibert) – Wikipedia
Retrieved from ” https: The concerto is distinctive for its large range requiring the use of saxophone altissimo. Under the Sign of the Sun. The work is in three movements; the cameera, Allegro con motois lively and technically challenging and the second, Larghetto begins with a hauntingly lyrical passage. The concertino’s only cadenza arrives near the end, a free riff on tiny fragments of the movement’s main, sewing-machine theme; soloist and ensemble offer a bright restatement of this main theme in full, scampering to an upbeat conclusion.
The Larghetto is a lonely, bluesy solo that sends the saxophone gliding oh-so-gradually up camear down its entire range, with the strings entering at length to provide simple support for the sax’s ballad-like material. Drinking Hanging Out In Love.
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By the s many of France’s leading composers were jazz besotted, and Ibert was no exception. The History of the Saxophone in Words and Music. Music for Saxophone and Orchestra. Eventually the woodwinds provide their own paraphrase of the theme, followed by a string statement. One of the soloist’s main themes is lyrical but still syncopated.
The Concertino da camera for alto saxophone and eleven instruments was written by Jacques Ibert in July Learn how and when to remove this template message. Rainy Day Relaxation Road Trip. Concertinos Compositions for chamber orchestra Saxophone concertos Compositions by Jacques Ibert compositions Concerto stubs.
Concertino da camera, for alto saxophone & 11 instruments
The piece shares similarities with his cmaera for flute. The brief work begins with an Allegro con moto entering with a raucous blast from the small ensemble of strings and winds. Still, this is not crossover music, but a classical piece inspired by a few specific pop trends of the day.
A short cadenza links to the third movement, Animato molto. Views Read Edit View history. AllMusic Featured Composition Noteworthy.
Without a break, the concluding Animato molto arrives with jittery material over which the saxophone dances and hovers. This article needs additional citations for verification. The soloist quickly bursts in with a percolating tune that eventually makes way for a second subject that jqcques in the saxophone’s high register.
Here and in the very brief development section, Ibert maintains a close, complex interplay between the soloist and the little band; indeed, the saxophone is reduced to noodling in the background when the strings take over the second subject. The Art of Saxophone.