Bunt mas i inne pisma socjologiczne. Front Cover. José Ortega y Gasset. Państwowe Wydawnictwo Naukowe, – pages. Title, Bunt mas. Author, José Ortega y Gasset. Translated by, Piotr Niklewicz. Publisher, Muza, ISBN, , Length, pages. Title, Bunt mas. Author, José Ortega y Gasset. Publisher, Muza, ISBN, , Length, pages. Export Citation, BiBTeX.

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Skip to main content. What is more, aesthetics is not a separate field of knowledge, but is incorporated in the sphere of hermeneutics. These reflections revolve around the concept of crisis of art as it was understood by both thinkers. It is not our intention to pass judgments on the merits of each position.

Gasset – – Synthese 4 1: Ortega y Gasset prtega attention to the advancing process of elitarisation of the new art, which, in vasset moment of crisis of the traditional aesthetic values of democratic, egalitarian societies, was its only salvation. Dehumanised art, according to Ortega y Gasset, also meant the flight of artists from forms reflecting life. For Ortega y Gasset, art was one of the most significant sociocreative factors: The American philosopher Graham Harman has recognized Ortega y Gasset as a source of inspiration for his own object-oriented ontology.

Every experience of this art is alienating in the sense that while in contact with it, the viewer is left to his own devices. Much of Ortega y Gasset’s work consists of course lectures published years after the fact, often posthumously. Gadamer speaks in this context of a fusion of horizons, about the collision of what derives from the past with what constitutes the present perspective of the viewer. Thus, metaphor was a formal means of meeting an artistic need to flee from reality in the first decades of the twentieth century.

Ortega y Gasset, an Outline of His Philosophy. Cichowicz introductionWarsaw History of Western Philosophy. What ended irrevocably was the art of the gasdet. The crisis consists of a progressive, increasingly profound lack of understanding of art, artists, and works of art, which, by ceasing to be comprehensible, lose their vital human significance.


Bunt mas i inne pisma socjologiczne – José Ortega y Gasset – Google Books

We still have not dealt with the issues of its essence, meaning and function. Index Outline Category Portal.

There’s a problem loading this menu at the moment. Request removal from index. Please help improve this article by adding citations to reliable sources. Gasset – – Princeton University Press. His philosophy has been characterized as a ” philosophy of life ” that “comprised a long-hidden beginning in a pragmatist yy inspired by William Jamesand with a general method from a realist phenomenology imitating Edmund Husserlgassett served both his proto- existentialism prior to Martin Heidegger’s [1] and his realist historicismwhich has been compared to both Wilhelm Dilthey and Benedetto Croce.

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Bunt MAS – Jose Ortega Y Gasset

In he became a contributor to the newspaper Ortea Solwhere he published, as a series of essays, his two principal works: Metaphor was, at the same time, another essential feature of dehumanised art.

Contemporary artists broke away from the art of the past because a new type of viewer had appeared. Unlimited One-Day Delivery and more. Firstly, it was not real, in the sense that it was new and differed from what was real.

Gasset – – W. Find it on Scholar. Paradoxically, this art thus became doubly unreal. Therefore, Ortega y Gasset wrote of two arts, radically different from each other, causing the rift between past and present to become enormous. Ortega y Gasset seems to occupy the opposite pole; for him, art is frivolous, ironic game lacking a metaphysical dimension.

Wikiquote has quotations related to: This breakthrough concerned the emergence of new forms and new content in artistic presentations, as well as the traditional understanding of the role of art, the relative positions of artist and viewer, and the status of works of art.

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Ortega y Gasset saw the new art as a kind of intellectual entertainment u selected individuals who undertook the solitary trouble of understanding it. Edit this record Mark as duplicate Export citation Find it on Scholar Request removal from index Translate to english Revision history.

For Ortega y Gasset, as for Husserl, the Cartesian ‘ cogito ergo sum ‘ is insufficient to explain reality.

Haddox – – Southwestern Journal of Philosophy 2 3: The idea of art as an ironic game between the work and the viewer was not yet widely accessible. Thus there is no more historical continuity of style; the achievements of tradition have been suspended, and simple references to human reality are no longer functional.

Cichowicz introductionWarsawp. University of Deusto Complutense University of Madrid. To accomplish such tasks, the philosopher must—as Husserl proposed—leave behind prejudices and previously existing beliefs, and investigate the essential reality of the universe. The History of a ConceptWilliam B. Hans-Georg Gadamer on art Gadamer perceived, of course, the generally acknowledged crisis of contemporary art, believing that it was the result of transformations that took place in Europe in the nineteenth century when the centuries-old tradition of Western Christian art was interrupted.

However, it is necessary to make an effort to benefit from what art offers. At the same time, there is still no answer to the question of whether the changes which have taken place in art have led to its rebirth in a completely new form or to a crisis.